What does the poem the flea mean?
John Donne’s poem, ‘The Flea‘ is a metaphor for sex. The speaker shows a flea to a woman he wants to sleep with, and states that the flea has combined them into one by biting them both and sucking their blood. A metaphor for sex, the flea has bitten both the speaker and the woman and their blood is mixed together.
What is the speaker argument in the flea?
The speaker tries to convince a lady to sleep with him, arguing that if their blood mingling in the flea is innocent, then sexual mingling would also be innocent. His argument hinges on the belief that bodily fluids mix during sexual intercourse.
What is the tone of the poem the flea?
As compelling as the speaker’s assertions are, his motives are completely transparent as he is attempting to convince his lady that surrendering her virginity would be no shame under the sanctified circumstances provided by the flea. The tone of the poem is highly ironic, dramatic and absurdly amusing.
How is the Flea a metaphysical poem?
In the poem “The Flea,” John Donne uses a metaphysical conceit between a simple flea and the complexities of young romance to develop the narrator’s argument for a young woman to forfeit her chastity. The flea furthers the speaker’s argument in that sexual intercourse unites their souls like the bite of the flea.
What happens to the flea at the end of the flea?
Summary. The speaker tells his beloved to look at the flea before them and to note “how little” is that thing that she denies him. As his beloved moves to kill the flea, the speaker stays her hand, asking her to spare the three lives in the flea: his life, her life, and the flea’s own life.
Is the Flea a carpe diem poem?
It seems that this poem is meant to be a sort of provocative love poem meant seduce a woman. John Donne’s The Flea represents the carpe diem mentality of the time that was being reflected in the works of many poets across Europe.
What does it mean in the flea when the speaker declares Though use make you apt to kill me Let not to that self murder added be?
Only $2.99/month. “Though use make you apt to kill me, / Let not to that, self-murder added be, / And sacrilege, three sins in killing three” The speaker is comparing denying him of sex is like death. Like it’s a crucial part of his life. Daisy denying Gatsby of the argument results in his death.
What era was the flea written in?
“The Flea” is a poem by the English poet John Donne, most likely written in the 1590s.
What does metaphysical conceit mean?
Metaphysical Conceit = is an extended metaphor with a complex logic that governs a poetic passage or entire poem. It usually sets up an analogy between one entity’s spiritual qualities and an object in the physical world and sometimes controls the whole structure of the poem. ”
What is the Flea a metaphor for?
“The Flea” As a Representative of Sex: As this poem is about physical intimacy, the poet uses “flea” as an extended metaphor to demonstrate his desire to have intimacy. At the outset, he says that their blood is mixed in the body of the flea, implying that they have already been made one in the body of the tiny insect.
What’s a conceit?
Conceit, figure of speech, usually a simile or metaphor, that forms an extremely ingenious or fanciful parallel between apparently dissimilar or incongruous objects or situations.
What has formed the speakers blood?
Answer: The soil, the air and the birthplace formed the speaker’s blood.
What are the three moods of love in Donne’s poems?
The three moods of love in Donne’s poetry are cynical love (anti woman), conjugal love(married life) and Platonic love(spiritual).
How is love presented in the flea?
‘The Flea‘ is all about seduction and persuasion, and love-making is depicted as both natural, innocuous and even heretical. In ‘The Flea‘, the speaker of the poem endeavours to invalid the young lady’s moral concerns and to convince her to surrender her virginity to him by taking the advantage of a flea.
What do you know about metaphysical poets?
metaphysical poets, name given to a group of English lyric poets of the 17th cent. The term was first used by Samuel Johnson (1744). The most important metaphysical poets are John Donne, George Herbert, Henry Vaughan, Thomas Traherne, Abraham Cowley, Richard Crashaw, and Andrew Marvell.