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Readers ask: Zeugma in literature?

What does Zeugma mean?

: the use of a word to modify or govern two or more words usually in such a manner that it applies to each in a different sense or makes sense with only one (as in “opened the door and her heart to the homeless boy”)

What is the difference between Zeugma and Syllepsis?

Zeugma is any case where a single mention of a word is treated as a part of more than one clause of a sentence. Syllepsis is a type of zeugma where the word in question is used in contexts that require it to do different things.

Is Zeugma a figure of speech?

A zeugma is a figure of speech in which one “governing” word or phrase modifies two distinct parts of a sentence.

What is an example of antithesis in literature?

Antithesis emphasizes the idea of contrast by parallel structures of the contrasted phrases or clauses. The structures of phrases and clauses are similar, in order to draw the attention of the listeners or readers. For example: “Setting foot on the moon may be a small step for a man but a giant step for mankind.”

What is an example of Zeugma?

A zeugma is a literary term for using one word to modify two other words, in two different ways. An example of a zeugma is, “She broke his car and his heart.” For example, you could use the zeugma, “I lost my keys and my temper.” In Greek, zeugma means “a yoking,” as in yoking one word to two ideas.

What is an example of chiasmus?

Chiasmus is a figure of speech in which the grammar of one phrase is inverted in the following phrase, such that two key concepts from the original phrase reappear in the second phrase in inverted order. The sentence “She has all my love; my heart belongs to her,” is an example of chiasmus.

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What is Epiplexis?

Definitions of epiplexis. noun. a rhetorical device in which the speaker reproaches the audience in order to incite or convince them. see more. type of: rhetorical device.

What does Diacope mean?

Diacope is a rhetorical device that involves the repetition of words, separated by a small number of intervening words. It comes from the Greek word thiakhop, meaning “cutting in two.” The number of words in between the repeated words of a diacope can vary, but it should be few enough to produce a rhetorical effect. 3 дня назад

What is a anaphora?

An anaphora is a rhetorical device in which a word or expression is repeated at the beginning of a number of sentences, clauses, or phrases.

What is an example of Antimetabole?

Antimetabole is derived from a Greek word which means “turning about.” It is a literary term or device that involves repeating a phrase in reverse order. For example: “You like it; it likes you.” “Fair is foul and foul is fair.”

What are the examples of parallelism?

In English grammar, parallelism (also called parallel structure or parallel construction) is the repetition of the same grammatical form in two or more parts of a sentence. I like to jog, bake, paint, and watching movies. I like to jog, bake, paint, and watch movies.

What is an example of Aposiopesis?

An example would be the threat “Get out, or else—!” This device often portrays its users as overcome with passion (fear, anger, excitement) or modesty. To mark the occurrence of aposiopesis with punctuation, an em-rule (—) or an ellipsis (…) may be used.

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What are 5 examples of repetition?

Examples of Repetition: Let it snow, let it snow, let it snow. “Oh, woeful, oh woeful, woeful, woeful day! “And miles to go before I sleep, and miles to go before I sleep.”

What is antithesis in English literature?

Antithesis (Greek for “setting opposite”) means “a contrast or opposite.” For example, when something or someone is the opposite of another thing or person. As a rhetorical device, antithesis pairs exact opposite or contrasting ideas in a parallel grammatical structure. 3 дня назад

What is the difference between antithesis and oxymoron?

1 Answer. An oxymoron is a phrase that uses two contradictory or opposing terms, while an antithesis is a device that presents two contrasting ideas in a sentence (but not in the same phrase).

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